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choptalk river marsh

Before

girl driving tractor

Borrowed Authority

girl turning on the choptank with beautiful light

Objects in Motion

children fishing on the choptank river

Fishing the Creek

car being claimed by the forest

Claimed by the Forest

girl caught in hammock

Caught

chickens in coop

Domesticity

corn field on Maryland's Eastern Shore

Cultivated

child working on duck decoys in workshop

Prepping Decoys

man and child going hunting

November

child hiding in duck blind

In the Blind

girl holding frog

Found

sunset on the Choptank

Fading Light

children in outbuilding preparing for hunting season

Learning the Work

girl reading on dock

At the Edge

children disappearing into the marsh

Into the Marsh

children running in field

The Distance Between

tree in winter on maryland eastern shore

After

At River’s Edge

At River’s Edge explores childhood within the shifting boundaries of Maryland’s Eastern Shore, where home gives way to field, marsh, and water, and the cultivated is never far from the wild.

Made over years at my family’s home on the Choptank River, these photographs move between documentary moments and observations of the landscape. Children play, work, wander, and disappear into spaces shaped by water, weather, animals, hunting, and the traces of those who came before them. The landscape is not simply a backdrop, but a presence—sometimes sheltering, sometimes indifferent, and always changing.

I am interested in this place as a liminal space: between land and water, domesticity and wilderness, safety and risk, childhood dependence and emerging independence. Gates, docks, doorways, tree lines, and shorelines recur throughout the work, marking boundaries that are continually crossed.

The photographs resist a fixed narrative. Instead, they consider the fleeting experience of belonging to a place while simultaneously growing away from it. In At River’s Edge, childhood and landscape share the same condition: neither stays still.

(c) Natalie Fay Green 2017